It refers to the time period when an employee is neither on duty nor off duty. there is no reason for God to grant what is hoped for as a reward. The term limbo time is generally used in the context of rail workers. These examples are programmatically compiled from various online sources to illustrate current usage of the word 'in limbo.' Any opinions expressed in the examples do not represent those of Merriam-Webster or its editors. The idea of Limbo, which the Church has used for many centuries to designate the. Zolan Kanno-youngs, New York Times, The fate of the legislation had been in limbo for weeks. Josh Wingrove,, The court system is riddled with yearslong delays and low morale as a work force of about 650 judges struggles to keep up with the volume of immigration cases, leaving undocumented immigrants who have long waited in the United States in limbo. Andrea Castillo, Los Angeles Times, Anna Rose Layden/Getty One of Biden’s signature initiatives, student loan debt relief, is currently in limbo as the administration awaits a ruling from the Supreme Court on its legality. Rick Porter, The Hollywood Reporter, They were housed and fed, but their lives were still in limbo. Kelly Wynne, Peoplemag, With the Writers Guild of America strike putting production on potential fall scripted shows very much in limbo, the lack of a schedule announcement from Fox makes some sense. Joey Garrison, USA TODAY, As Jen Boecher and Rishi Singh's fate hangs in limbo on 90 Day Fiancé: The Other Way, Jen may have a new suitor. ![]() Walker, Fortune, McCarthy entered the meeting sounding less optimistic than the White House about the status of talks and took a shot at Biden's overseas trip with the debt ceiling still in limbo. At home, Farhad had a chicken he loved, named after Mercury in his desolate, temporary Scottish home, he adopts another, also named Freddie, who, to the consternation of the others, becomes a fifth roommate.Recent Examples on the Web Once again, Morant is in limbo - awaiting the outcome of yet another NBA investigation into what could end up becoming a cataclysmic off-court decision. God's Time Out How can you avoid the experience of limbo during periods of growth and change You can avoid limbo through action. He tells Omar about his hero, Freddie Mercury, whose picture he carries with him always: He and Freddie have the same mustache, he points out, and the same religion, Zoroastrianism. ![]() (In one of their early encounters, Omar asks Farhad how, in his home country, it’s possible to tell what women are thinking if their faces are covered, a way of reinforcing the point that their two countries are hardly the same.) Farhad is resourceful, enterprising and sensitive: He scrounges things he needs-and some things he doesn’t, like a hat designed to look like a panda face-from the local donation center. But Omar becomes closest with Farhad (Vikash Bhai), who’s from Afghanistan. Souls and ghosts inhabit Limbo and humans and animals inhabit the Material Plain. Omar, handsome but sullen, with soft, brooding eyes, has three roommates: Abedi (Kwabena Ansah) and Wasef (Ola Orebiyi) are from Ghana and Nigeria respectively, though they have presented themselves as brothers, hoping to strengthen their chances of getting asylum-a gentle metaphor for the way two people desperate to find a better life can become a kind of family. Limbo looks exactly the same as the Material Plain, exact copies, changing at the same time in the same way. ![]() Even so, one anxiety unifies them: no one wants to, or can afford to, be sent back. ![]() But they’re also outsiders to one another, a group of lost souls coming from a jumble of different cultures and backgrounds. We define limbo as a protracted time period when asylum seekers are granted only a temporary residence permit linked to the asylum application, waiting for the decision concerning a permanent. To the islanders, all of the men are outsiders, strangers from other lands. Some of the locals do welcome them with well-meaning but misguided enthusiasm (by offering, for instance, a clumsy “cultural awareness” course that’s designed to indoctrinate the newcomers to western ways but succeeds only in bewildering them), while others, particularly the local teenagers, inflict indifferent hostility. Their housing, a nest of nondescript little cottages, bears a handmade sign that reads REFUGEES WELCOME with a heart appended. Limbo, the second feature from Scottish director Ben Sharrock, is about people who happen to be refugees, a group of young men from various nations who have been given temporary shelter on a remote Scottish island as they wait to see if they’ve been granted asylum. Though some filmmakers might insist you can make a film about a hot-button issue like the refugee crisis, in the end you can only make films about people.
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